At first glance this may sound strange. Spider-Man has been open to broadly positive reviews and has raised a whopping $ 185 million in North America and nearly $ 600 million worldwide in its first week. This hardly seems to be the time to initiate a strategic retreat.
Nevertheless, piggybacking in the "Avengers" narrative is an advantage that darkens the analysis a bit. And the creative flaws of the film ̵
Marvel obviously still has many arrows in his quiver, including sequels of "Black Panther", "Captain Marvel" and "Guardians of the Galaxy". Whatever the weight pulls down this summer, Marvel has managed to defy that gravity.
20th Century Fox, Disney / Marvel has taken control of two of Marvel's trademarks, Fantastic Four and X-Men, whose film rights were parceled out years ago. Both seem mature enough to be included in the wider Marvel Cinematic Universe. Businesses require time and care, the way it is based on strict adherence to a release plan designed to ensure that Disney continually sells consumer goods and that its shareholders are the largest consumer The happiest thing in the world was a joke bet. The studio has an enviable track record, though things like "Guardians" and "Ant-Man" are by no means secure. The final credits of "Spider-Man" also point to new directions, albeit in a cryptic way. "Godzilla: King of the Monsters" and "Dark Phoenix," the latest X-Men movie, give a cautionary note.
Disney took the right step by cooling his jets when it came to "Star Wars." As tempting as it is to move forward, a similar approach would be advisable if Marvel moves into the post-endgame phase.
Marvel has looked pretty invincible so far. However, the uncertain future map of "Spider-Man" and the simple law of averages increase the risk of sooner or later burning the wings (or webbing) if they insist on flying so close to the sun.