W Although MTV is no longer the avant-garde of youth culture, the station has made great efforts to make its annual flagship event, the Video Music Awards, visible and submissive to a young audience. What made it so confusing when they announced that this year's ceremony, which aired last Monday, will be moderated by comedian Sebastian Maniscalco.
Although Maniscalco became famous last year, he is probably the biggest name. At the moment he is also a Gen-Xer in the comedy, whose material is aimed directly at members of his and his parents' generation, making him a weird choice to focus on a targeted show as well as teenagers and tweens. (I myself am an elderly millennium and only heard of him a few months ago when my father suggested that he be examined.)
No surprise, it did not go well. The disconnect between presenter and audience was painfully apparent within the first few seconds of Maniscalco's opening monologue and began with a cheesy joke about his mother's Italian cuisine. From then on, it got worse as the comedian stumbled across his borders and botched his blockade, before he broke into an abuse speech against the young people in the audience. He reached the standard points that every two-bit reactionary makes: safe spaces, trigger warnings, participation trophies, etc.
While the online backlash was oppressively predictable – those who push off the idea that they are too Slightly offended, play straight into the hands of Maniscalco – it did not make his performance look better, and his dedication as a director will surely be considered one of the worst in the recent past. However, Maniscalco can at least feel confident that he is barely the first person to get a grip on when hosting prize-giving shows.
Joanna Lumley, the 72 and Baftas (2019)
Before last Monday, it looked like Joanna Lumley, to use the award, was a shoe-in for the worst Emcee of the year. While the BAFTAs did not cause any cultural disappointment last February, their jokes – including one about Steve Coogan, who got them in – and Spike Lee's Blak Klansman, who won the best picture at the "Klan Film Festival" – took even more hostile silence than at Maniscalco.
Kevin Spacey, the 71st st. Tony Awards (2017)
It's not just a retrospective that Kevin Spacey is presenting the Tony's in 2017, so unfortunate. Even at the time – five months before numerous allegations of sexual assault surfaced – Spacey had gone over his robberies, which included bad imitations of Johnny Carson, Bill Clinton and Bobby Darin (for whom you think Spacey would be too embarrassed) again after his catastrophic 2004 singer) and his own House of Cards character, Frank Underwood.
Steve Harvey, the 64th te Miss Universe Pageant (2015)
Steve Harvey Called the Wrong The winner of the 2015 Miss Universe contest was immediately labeled as "the worst mistake in the history of TV Award Ceremony ", a label that still exists. Not even the best image at the 2017 Oscars was comparable to the devastation inflicted by Colombian nominee / Game Show presenter / relationship advisor Ariadna Gutierrez, who saw her lifelong dream come true just so that it would a few moments later is torn away.
James Franco and Anne Hathaway, the 83 and Academy Awards (2011)
The Decision to Bring Together Anne Hathaway and James Franco As host for the 2011 Oscars, this was an obvious attempt at a younger one To address the audience. However, no one considered how coincidental the pairing was, nor did they realize that both actors were so much in the public eye at that time that they had a strong backlash (although the backlash was in comparison to what was on the market, strange looks for Franco). Still, it might not have been so bad if Hathaway and Franco had shown a bit of chemistry, or at least shown the same level of commitment to their roles, but that was not the case.
Hathaway ransacked the material at a manic pace While Franco, at best, distanced himself, in the worst case scornfully (it would seem that a man dressed like Marylin Monroe could not possibly get complacent, but where it is due, he has found a way).  They both admitted the whole thing was a mistake, in a way that continues to reflect their different attitudes (as well as the double standards of the industry): Franco shrugged all night while Hathaway continued Crows eats.
Norm MacDonald, the 6th Annual ESPY Award (1998)
Let's get this out of the way: Describe Norm MacDonald's registration of the 6th annual ESPY award as a disaster not that same as saying that he did a bad job. There is a reason why the footage of the opening comic of the Canadian comedian – in which he made relentless jokes about Hideki Irabu, Charles Barkley, and of course OJ Simpson – has become such a cult favorite: It's as funny as it is brutal.
When the camera pans the audience, the look on the faces of Ken Griffy Jr. and Charles Woodson does not betray anger or insult, but cold rage and utter contempt (the only hostile hostage than at that time) Norm shows the year before at the White House correspondence dinner.
It's a disaster, yes, but at least a glorious catastrophe.
David Letterman, the 67th . Oscar Awards (1995)
David Letterman's infamous opening monologue for the 1995 Academy Awards does not seem to be a shame at first – the first few minutes of jokes are utterly forgetful and harmless.
As the program progresses, however, Letterma turns less and less into an annoying joke about how the first names of Oprah Winfrey and Uma Thurman are phonetically similar. It is also not intended to lose the patience of the audience, he just can not let it go.
It does not help that the rest of his more than eleven-minute monologue is filled with jokes that would not have been there. It's completely obvious why the Oscars this year are viewed with so much contempt.
Chevy Chase, the 60th Academy Awards (1988)
Chevy Chase is almost as famous for burning bridges as he is responsible for one of his leading roles in film and television. This has been the case since he broke out in the late 1970s. It should not have surprised anyone that in 1988 he made his notorious opposition to his Oscar-winning responsibilities (although he was fair enough to host the year before) and done well enough to be invited back).
Chase comes swinging out of the gate and greets everyone with the announcement, "Good evening, Hollywood Phones!". Such open contempt could have provided great entertainment or at least a refreshing and honest diversion. But unfortunately the rest of his opening monologue was full of jokes (something he ascribes to the authors' strike at the same time), hasty delivery and I dare say fake excitement about the annual harvest of films.
It's a wonder everyone thought Chase was the right man for the job at the time, and no wonder he was never asked back.
Jerry Lewis, the 31st Oscar (1959)
Speaking of recent humiliations at the Ac suffered At the time when Jerry Lewis hosted for the last time in 1959 (besides five other co-organizers), he had this has already been done twice. But none of his experiences prepared him for the catastrophe that awaited him on the night in question. Producer Jerry Wald continued to cut segments to streamline the show, causing a lot of confusion: the best picture winner was announced with a remaining 20-minute airtime (imagine – an Oscars ceremony, the short is running … the mind is confused).
Lewis had to improvise for the remaining third of an hour. His solution was to stage a few dozen of the winners and nominees of the evening for a giant waltz while alternately leading the orchestra in a rendition of There's No Business Like Show Business and joking in the camera. Some of his jumps produced legitimate laughter, but looking at the footage, you can see how manic and desperate he is, and how uncomfortable people feel on stage.
It is unfair to blame Lewis for any of this – if at all, he should be commended to the best of his ability to rescue the broadcast. Still, it remains one of the biggest catastrophes in the history of the awards, and the funny man with the rubber face was the face of it. There is indeed no business like show business.