LONDON – Jen Reid, the protester of the Black Lives Matter, whose statue was erected on Wednesday in Bristol, England, to replace a fallen slave trader, said shortly before the unauthorized installation that she did not know if the city authorities would leave her there a few months or a single day.
It turned out to be the latter.
The workers removed Ms. Reid’s resin and steel statue on Thursday morning, 24 hours after being set up, and pulled up a quick curtain on an act of guerrilla art that attracted widespread attention but did not impress city guides.
“The people of Bristol will decide their future,” added Rees to the pedestal on which 17th-century slave trader Edward Colston once stood before being overthrown by protesters and thrown into the nearby harbor last month.
The Bristol City Council said he would keep the statue of Mrs. Reid by sculptor Marc Quinn in a local museum so that he could “collect or donate our collection”. Mr. Quinn, who created the sculpture in a few weeks after seeing a photo of Ms. Reid standing on the pedestal during a protest, had no immediate answer.
In a previous interview, Mr. Quinn said he did not expect Bristol to permanently leave the statue titled “A Surge (Jen Reid)” in place, although he hoped it would be there long enough to accommodate one Talk about “how we remember people in statues. “He called it a“ temporary sentence in conversation ”.
Ms. Reid, a fashion stylist, climbed onto the pedestal during a demonstration of Black Lives Matter after the crowd tore down the bronze Colston statue that had been in the city since 1895, rolled it down the street, and threw it into the harbor. Her pose, whose right arm was defiantly pushed up, inspired Mr. Quinn after seeing a picture of it on social media.
As part of a cohort of British visual artists known as Young British Artists, Quinn drew attention in 2005 to the marble sculpture “Alison Lapper Pregnant”, which depicted a woman in a condition in which she had no arms and shortened legs. It was placed on a pedestal in Trafalgar Square, London.
Mr. Quinn plans to install a piece on the steps of the New York Public Library next year that will consist of two identical cubes filled with frozen blood donated by thousands of refugees and non-refugees. Inspired by the migrant crisis, the aim is to record how everyone is equal under the skin.