Every year, the Cannes Film Festival features some of the most notable films of the year and this year's list of contributions from directors such as Quentin Tarantino, Terrence Malick and Bong Joon-ho (and even a television series by Nicolas Winding (Refn) was no exception of the Rule.
The films that were shown at the festival – and all its different sections, including the Week of Directors and Critics – were an exciting experience, as a harbinger of a wonderful year full of movies Next year, we'll have a list of the festival's top five films as well as an honorable mention and the full list of contest winners.
As a small entry in a Festival Sidebar During a stacked year, Deerskin can not quite keep up with the big movies in the official selection, but it's so unique that it can not be forgotten either. With Jean Dujardin as Georges, the 80-minute film revolves around a man's desire to make his jacket the only jacket in the world.
As the story progresses, it becomes all the macabre But it's funny all the way Georges cleans himself every time he glimpses himself and his deerskin jacket in a reflective surface ("killer style!" ) and insists that everyone he meets is a style icon. Quentin Dupieux's latest work is a long, extended riff of that single beat that feels like an outstretched Tim Robinson sketch.
5. Sorry we missed you
Director Ken Loach is perhaps best known as a master of the depressing, contemporary working-class film, and sorry we missed you whose characters are trapped in the gig economy are. is accordingly bleak. Loach still finds room for humor: the family the movie is about loves to be sincere, and there are moments of light-heartedness, even though they struggle to make ends meet, as is the case in real life situations Case is.
But that does not mean the movie is easy to watch. Midway, one of the characters describes a dream in which they feel swallowed by quicksand, and any renewed attempt to escape from it causes them to sink further. It's of course a fitting metaphor for the circumstances in which the characters are located.
Especially noteworthy is the actor Kris Hitchen, who plays the family patriarch Ricky. His accomplishments are notable as he juggles with the sadness, anger and helplessness that Ricky feels as he tries to fulfill his duty as a deliveryman and as a father.
Learned Hermit Terrence Malick came to Cannes for the premiere of his new film A Hidden Life which tells the story of the real conscientious objector Franz Jägerstätter. Jägerstätter, who was portrayed in the film by August Diehl, rejected Hitler's oath and as a result was imprisoned and put on trial. Malick's film is a study of Jägerstätter's principles and, on a larger scale, a consideration of what is needed to do the right thing.
The film is great, if surprisingly literal, in comparison to most of Malick's other works. It also takes a while to move from one point of action to the next in order to filter out the emotions of each beat, and to provide a platform for Diehl and Valerie Pachner, who plays Jägerstätter's wife.
3. Portrait of a Burning Lady
Céline Sciamma's new film is not particularly revolutionary in terms of the story he is telling, but stunning in its details and execution. Marianne (Noémie Merlant) is commissioned to paint a portrait of Héloïse (Adèle Haenel), with the sole condition that Héloïse may not know that the portrait is being painted. The portrait is to be sent to Héloïse's potential husband, and she refused to sit for an artist because she does not want an arranged marriage. It is a condition that Marianne agrees to initially, but which is difficult to accept when the two get to know each other.
There follows a love story that unfolds so warmly and delicately that it is impossible to oppose with a final setting that should dispel any remaining doubt about the quality of the film and its performances single-handedly. Portrait of a Burning Lady also looks at the way artists are often stripped of their own stories and deprived of their authority, making it all the more refreshing that almost the entire cast consists of women
The witch is hard to comprehend, but director Robert Eggers has made it – and how – with The Lighthouse . A mesmerizing mix of styles and mythologies, the film is a wild, top-down journey that defies expectations and weaves such a grand and grim tapestry that it overflows with its near-square aspect ratio.
Robert Pattinson and Willem Dafoe Star as lighthouse keeper working through a four-week shift. Over the days, the events on her little island are getting weirder and her coping methods based on drinking, which is not exactly helpful. At least for the public, there is the panacea of the brave performances of Pattinson and Dafoe, leaving any vanity on the floor of the editing room as they all plunge into insanity.
There is no question that Bong Joon-ho's exciting Parasite is the best film to be played at the Cannes Film Festival this year. It is the kind of film that is so sure and perfectly processed that it reaches to the core and paints a picture that remains with the viewer long after the film ends.
A Vertical-oriented Film Snowpiercer Parasite deals with the class. Two families, a rich (and living in a beautiful house on a hill) and a poor (and turned into a basement apartment in a flood-prone area) family, live in terms of work and money together. Gradually, however, their interconnectedness becomes more complicated, and the miserable qualities of the early part of the film turn into a tragedy.
Parasite is built like a symphony, and the great pleasure of it is not only that you will never see what is coming, but that it is so clever that you always want to visit it.
] The full list of winners of Cannes 2019
Palm d'Or: Parasite Bong Joon-ho
Grand Prix: Atlantics Mati Diop  Jury Award (tie): Les Misérables Ladj Ly and Bacurau Glue Mendonça Filho, Juliano Dornelles
Best Actress: Emily Beecham, Little Joe [BestActor: Antonio Banderas, Pain & Glory
Best Director: Jean-Pierre & Luc Dardenne, The Young Ahmed  Best Screenplay: Céline Sciamma, Portrait of a Burning Lady
Special Mention of the Jury: It Must Be Heaven Elia Suleiman
Kam ra d & # 39; Or: Our Mothers César Díaz
Short film Palme d'Or: The distance between us and Him mel Vasilis Kekatos
Special mention of the jury: Monstruo Dios Agustina San
Queer Palm (feature): Portrait of a burning lady Céline Sciamma
Queer Palm (Short): The Distance Between Us and the Sky Vasilis Kekatos