It should also make history: Studi is the first native American ever to receive an Oscar.
After receiving Hollywood's triumphant standing ovations from many of Hollywood's greatest and most powerful personalities, Studi broke into a broad smile and began his acceptance speech with a simple, forceful recognition of what the moment meant to him and all local artists in the film industry ,
"I just want to say it's time!"
This has become a common feeling at the Governors Awards. Since its founding eleven years ago, the Academy has used the annual event frequently to recognize the achievements of minority artists who were largely or completely ignored at the Oscars, including actors Cicely Tyson, Jackie Chan, and James Earl Jones. as well as the filmmakers Hayao Miyazaki, Charles Burnett and Spike Lee.
On the night of Sunday, the Governors Awards spent most of their time dealing with the place within the industry of a group of non-minority artists.
Together with studios and directors David Lynch ( Blue Velvet, Twin Peaks ) – whose acceptance speech lasted only 33 seconds – this year's Governors Awards were presented to Italian filmmaker Lina Wertmüller Director was nominated, and actress Geena Davis, who received the Jean Hersholt Humanitarian Award for her pioneering efforts on gender equality on the silver screen.
In their Acceptan In her speech, Davis cited an investigation by her eponymous institute for Gender in Media, stating that 81% of the characters who have jobs in feature films are male, and the number of women portrayed in peak jobs on the canvas , is even lower than in real life. 19659004] "In other words, how miserable the numbers are in real life, it's much worse in fiction where you invent it!" Davis said to the knowledge, laughter and applause. "We're making it worse than real life."
Davis mentioned Hollywood's common stereotype, filled with liberated, heart-set liberals who are dedicated to diversity. Pile of gender fluid, intersectional feminists, then let's get it right! "
" Hardly ," she said. "If we're to be a bunch of gender-specific, intersectional feminists, let's get it right!"
Davis stressed that she was not just talking about writing more women than main characters, it was the Hollywood had to increase the number of women on the entire screen, regardless of the size of the role. She suggested a simple solution: Take a script that's already scheduled for production, swipe out the names of the male characters and turn them into women instead.
"With one stroke, you've created some non-stereotyped characters that could do that. It's even more interesting now that the gender has been changed," Davis said. Then she took a studied break.
"And then threw me . Seriously.
It had indeed not escaped Davis that she had a captive audience of many of Hollywood's most successful and influential producers and studio managers – to sulk with her compatriots and promote her films for the awards season. She challenged the room in simple terms: in the morning everyone should update their scripts for gender equality and racial diversity.
"Do not make a movie without doing it first," she said.  After the ceremony, Davis Buzzfeed News stated that she did not understand why her goal of dramatically increasing the number of female characters could not literally be achieved overnight.
"The lowest fruit of all gender equality in the world and also in this industry is on the canvas ," she said. "The next thing anyone does can be a gender balance. You do not have to comment. You do not have to wait for people to be elected or to stand in line. It is so easy. "
Whether Davis' common sense resonates in Hollywood's male-dominated leadership is another matter, and of the many films that are vying for a Best Picture nomination this year, only focus two – Hustlers and Little Women – based exclusively on women's stories. Hustler's director Lorene Scafaria told Buzzfeed News that only one studio, the independent STX Films "We're ready to take a chance on your project."
We will not ask these questions, "said Scafaria.
However, she emphasized that this year has been a turning point for filmmakers, with many of the best Films of the Year – from the blockbuster Captain Marvel to the indie hit The Farewell – staged by women.
Although these directories are growing for women, they are still uneven compared to men.
"I am so aware of how happy I am and that I am here because I stand on the shoulders of all the women who came before me", director Marielle Heller ( Can You Ever Forgive Me? ) said BuzzFeed News after the end of the Governors Awards. Heller was present on Sunday evening to support her latest film, the upcoming drama A Nice Day in the Neighborhood about the children's TV icon Fred Rodgers (played by Tom Hanks). She was pleased that several other women came to her this year, but she was well aware of the challenges that women in the film industry are still facing.
"I am very confident, but I am also so aware of all the women who are not offered these opportunities," she said. "It's a tricky place."
Last night's award for Wertmüller was a strong reminder of how difficult it was for women to reach this moment. In her presentation of Wertmüller's Honorary Oscar, her colleague Jane Campion (1993) said she was asked to speak about the history of women who, like her, were nominated for Best Director] "It's a very short story", said Campion. "More like a haiku."
Since Wertmüller's nomination for Best Director for her 1976 film Seven Beauties Campion said only four other women – herself, Sofia Coppola (2003 Lost in Translation ), Kathryn Bigelow (2009 The Hurt Locker ) and Greta Gerwig (2017 Lady Bird ) – were nominated for the same award. Only Bigelow has won.
By comparison, there were 350 nominations for Best Director for Men.
"Impressively unequaled," said Campion.
The one-sided relationship was enough to put the ballroom in a stunned silence. (The Governors Awards themselves have some catching up to do: since 2009, 13 women have been honored, compared to 30 men.)
Then Wertmüller entered the stage to receive her award and offered a delightful gesture in support of the Oscars, correcting an almost one hundred year imbalance the genders. The 91-year-old does not speak much English, which is why the actress and Italian Isabella Rossellini translated for her.
"Lina wants to dedicate the Oscar, but she wants to change the name Oscar to a female name." Rossellini said, standing next to the elf Wertmüller. "She would like to call it Anna."
the men, committed.