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"Gemini Man" rating: Will Smith goes to war with himself



There are many incentives to watch Smith's assassin fight a younger version of himself, but Lee's high frame rate distracts again.

"Gemini Man" is a stunning product that has emerged from a bizarre idea. The story was invented in 1997 (Tony Scott was commissioned to direct) and thrown between directors and newly assigned lead actors (including Harrison Ford, Mel Gibson, and Clint Eastwood) until she landed at Skydance Media in 2016 and Ang Lee appears at Land For Lee it makes sense – the film welds concerns that have influenced a number of his projects: the debate of Nature against Nurture; the alienation of a frayed man; The challenge of what digital filmmaking can do. On paper "Gemini Man" takes care of all three issues, but in practice the film is insurmountable.

Smith plays Henry Brogan, a 51-year-old, revered bomber of the government, who wants to retire. "Gemini Man" starts with one of Henry's last jobs and shows through a viewfinder how sharp his shot is. As soon as Henry tries to avoid trouble, trouble comes to chase him around the corner. Given the unbearable details dictated by the film's 120-frame-per-second technology, it is impossible to ignore just how alarming this new threat is. Henry tells people that he has recently avoided mirrors – of course he sees his killer in a mirror image. The film earns its title and central conflict within 45 minutes and shows the audience that Henry's hunter looks just like him.

Lee previously used the high frame rate of 2016 with "Billy Lynn & # 39; s Long Halftime Walk," the first feature that introduces the technology. The ambitious decision was not entirely convincing at the time. The film was despised because it lost emotional depth, which he had gained in visual detail. How did he recover? By diving headfirst into an explosive action movie where Will Smith fights Will Smith – using the same technology that is still the main event.

From the beginning, Lee's passion for visual trivia "Gemini Man" is impressive to the point of distraction. Being able to count each hair on Will Smith's arm, notice the dancing blips of a fire, and follow the specific trajectory of a fly before it is struck-these are integral parts of the film agenda, as well as the panoramic beauty of one Orange The sunset over Buttermilk Sound goes well with the man who won four Oscars for the wonderful tapestries of "Life of Pi". But as soon as Lee defines in Gemini Man what he can do with technology-and that's a lot-it's hard to focus the emotions on something more human. Due to the multiplication of life, it is only too often diluted by "Gemini Man".

In the first brawl between Smith and Smith 2.0 (Junior), the breadth of Lee's abilities is put to the test with amazing results. It comes before any kind of stilted confrontation with words and shows how compelling video games can be if they are done well. The camera keeps movement focused on action, not atmosphere. The dizzying POV recordings on Henry and Junior are breathtaking fun.

But it's the script that misses the concept. Once the initial shock of the phrase has subsided, revealing conversations are set in motion with a total lack of suspense, acting as wooden narrative obstacles rather than decisive words between actual living, thinking people. Everything serves aesthetics – just as Junior strives to become his whole self, a clone with a soul, "Gemini Man" never becomes a full movie, but survives as a successful scientific experiment of cutting edge technology and a poor heart.

It does not help that all actors feel disconnected from the next. Brogan's friendships are generic and available – he mourns briefly for a co-worker and asks a stereotypical rich, married man for advice who owns a boat and nods to a girl in a bikini. Benedict Wong appears and becomes the focal point for the conversation of action-figure violence (and also smokes a cigar while watching a football game in a shot, presumably having no other purpose than showing how good smoke looks when viewed at 120 frames per shot Second shot). Mary Elizabeth Winstead claims to be a more sophisticated female counterpart than the brutal genre in the past, but if you're someone, you'll see Will Smith and a digital (unaged) motion capture over Will Smith … well, it never could really focus on someone else.

"Gemini Man" does a tremendous job for the actor: Smith is not the first to play side-by-side versions of himself The movie becomes a kind of roughened dystopian riff in "The Parent Trap" (albeit with less matchmaking) but the generational dynamism between the two Smith characters enhances the sensitive strength of the actor. So it's a shame that as promising a psychological perspective as ever with technology is at war.

This is undoubtedly an advance over "Billy Lynn" and a significant achievement in relation to Lee's ongoing campaign for the progress of the medium. But the movie is a feature-length version of what happens when you look a little too long: the object – or in this case Will Smith's face – eventually becomes meaningless. The shine fades and the armor is hollow.

Grad: C +

Paramount released "Gemini Man" on October 11, 2019 in the cinema.

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