When the first trailer for Fast & Furious Presents: Hobbs & Shaw was released, it appeared in 1990. I was very pleased to see that the franchise was finally running at full capacity, as Idris Elba's villain Brixton had genetically improved. In a new trailer, which was shown at the CinemaCon 2019, the character has taken this improvement a step further. He gave himself a brand new nickname: "The Black Superman".
The bold drop of color came in the midst of an expanded look that explained a bit more about the actual story of Hobbs & Shaw introduced a ton of new action and made the film more thematic with the previous eight films in the series stay in contact. Hattie (Vanessa Kirby), the sister of Deckard Shaw (Jason Statham), has stolen Elbas Brixton a virus that can disappear from the world population, and he wants it back. As a result, Hattie involuntarily asks for her brother's help – help that Shaw's mother (Helen Mirren), who seems to be in jail, tells him to give it. This leads to a sort of action scene in a nuclear power plant that is brought to shit, and Hobbs (Dwayne Johnson) says they have to go offline.
They go to the island where Hobbs family is. Johnson said these scenes are the first time in history that a film explores Samoan culture at this level. When Hobbs arrives, his family does not seem happy, because he usually causes trouble. What is again exactly what happens. He tells his family he needs guns and cars, and we're met with some of those smooth, fast & furious shots that show all sorts of cool, expensive cars. However, when Hobbs opens the gun cabinet, they were all replaced by traditional spears and wooden weapons. It seems his mother sold the weapons and they have to use them instead.
Next, Hobbs and his brothers perform a traditional Samoan dance as they prepare to battle with Brixton who found them. With these traditional weapons, Hobbs, Shaw, and the family are running on Brixton's technically advanced men, and hell is breaking loose. During the lecture, Johnson called this moment of dance into an action scene as an example of how Hobbs & Shaw wanted to honor the Fast & Furious themes of the family giving the movie more gravitas.
This battle seems to turn into the biggest shift in film footage. Brixton is in a helicopter that Hobbs and Shaw want to tow down a lorry. (They fix the tow ropes by firing the truck from a cliff with the help of NOS, and Hobbs installs it in the air in slow motion, of course . .) However, the truck is too bright and helicopter-friendly for the helicopter he starts to pull the truck in the air. Then a second truck with Hobbs's brothers comes in and they attach cables to the first truck. But that too gets blown up. So a third truck comes in and, well, you can see where it goes. Cars were attached with tow cables to a helicopter, which then blew up the trucks, from cliffs, etc. It looked like one of the largest Fast & Furious pieces ever.
It was not It's not the only taunt. Some other action scenes in the trailer include both Hobbs and Shaw fighting against nameless villains in white corridors with a window in between. While shattering the bad guys, they watch, judge and joke together during their fight. Once that's over, at the end of each gait are facial recognition systems unlocked by Hobbs, shattering a nasty man's face. However, Shaw can not unlock the door, so he keeps beating the evil man's face over and over again and again.
There's also a scene of two of them in a sort of fighter jet as usual when Hobbs pushes Shaw's ejector cord while he's in the middle of detention, and he laughs.
So far, I have not really been sold to Hobbs & Shaw . The first trailer felt a little too far from the original Fast & Furious franchise, unaware of what makes these films stand out and is a huge action comedy. This extended CinemaCon look, on the other hand, sold me. The style, the heart, the ridiculous action, everything is there. And for the cherry at the top there is even the Black Superman.
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