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Holmes & Watson Review – IGN




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Will Ferrell and John C. Reilly meet for a repetitive, unenthusiastic Victorian version of Talladega Nights.

There's a scene in Etan Cohen's Holmes & Watson where Sherlock Holmes, played by Will Ferrell, wears a fake fake mustache and somehow fools Dr. Jr. Watson, played by John C. Reilly, makes him think. He is a very different person. It's not a great joke, but enlightening. The filmmakers also seem to believe that hitting a dilapidated disguise can make the audience think that Holmes & Watson is not just a pale imitation of Talladega Nights and Step Brothers.

But if Step Brothers and Talladega Nights made a joke, both movies quickly turned into a better one. Holmes & Watson is a collection of faint comic sets and repeated riffs with the same three jokes: Joke A. The 21

st century is different from the Victorian era; Joke B. Holmes is not as smart as he thinks he is. and Joke C. Blunt forces a trauma in the face.

Holmes & Watson is a kind of reunion for Ferrell and Reilly. The duo played in the two aforementioned popular comedies of the 2000s and has not had a title card ever since (though they did some cameos). It was an unusual but amusing comedy dynamic in which both actors played totally buffoons and tried to outdo each other. When it worked, it was funny, and when it failed, it looked like the actors were having fun.

This established Ferrell / Reilly momentum has been adapted to Sherlock Holmes and John Watson to turn the characters into bromantically Oddballs is not even a big jump; They were an inappropriate pair from the beginning, and Holmes was a confusing eccentric from his first page. The hangdog expression on Reilly's face, as Ferrells Holmes addresses the limelight, fits in with the characters, and Ferrell's immature high-flyer is not bad either. The idea is solid, the execution (unfortunately) is not even ridiculous.

Holmes & Watson follows Holmes from the bullied schoolboy to the best criminal in London alongside his best friend Watson. (In the funniest scene in the film, the young Holmes completes his emotions to run with pure intellect and begins to "weep", sucking his tears back into his tear ducts and using his examining brilliance to literally get every other child in the world The film begins when Holmes breaks into the process of his arch-enemy Moriarty (Ralph Fiennes) and frees the criminal mastermind who tells the court that the real Moriarty has fled to America. 19659009] Whether Holmes is right, the film needs to say its sweet time. In fact, it's hard to tell if Holmes & Watson consider themselves a genius spinner or an overrated egomaniac. Sometimes Ferrells Holmes makes brilliant conclusions, and sometimes he's so overwhelming that you're wondering if it's a kind of triple fake, and he's just stupid enough to hide the genius he has put on a completely different level to hide in first place. But no, it's just inconsistent. He's a jerk if the filmmakers find that funny and he's a thought leader if they think it would be funnier. And as it becomes difficult to orient and say when stupidity or genius should be unexpected and actually make you laugh, it's hard to enjoy it.

Holmes's investigations lead him to drunken sidequests, including the invention of the first drunken text (or better, "Intoxigramm") and into the arms of a pair of American women: dr. Grace Hart (Rebecca Hall), of which neither Holmes nor Watson can believe that she is a real doctor, because she is not a man and her subject Millie (Lauren Lapkus), which was raised by stray cats.

Holmes and Watson solve puzzles and fight with Grace and Millie about how America is a nation of gun lovers. Grace and Millie remind them that the United States has founded a whole democracy to prevent 'worn-out charlatans' from ruling the country (Rimshot). Of course, their Bromance is being tested and Holmes is learning a valuable lesson, but it's not for everyone. We are here for Ferrell and Reilly.

And again they are at the same old fate. Playing like a weird "precursor" to Talladega Nights, Holmes & Watson takes the same basic comedy dynamic and sends them back in time to change, change location and the same three jokes that are told over and over again. If you're looking for it, it's right here, but we feel that we – and everyone in the cast – deserves better.

The Judgment

It's nice to see Will Ferrell and John C. Reilly back together, but they deserve better material than Holmes & Watson. The lazy gags, the wasted spare staff and the unfocused writing make the film an uncomplicated task that reminds of their earlier comedic ventures, but does not come close.


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