For the die-hard, no horror movie can be too scary. But for you, a sissy, the wrong one can make you unhappy. You may even have lost your whole night's sleep because you have been trying to get some pictures or ideas out of your head so that you will not be able to go to work or school the next morning.
Never fear, Scaredies, because Slate's Scaredy Scale is here to help. We've put together a highly scientific and largely spoiler-free system to compare new horror films to classics using a 10-point scale to help you determine which ones are too scary for you. And because not everyone is afraid of the same things – some viewers can not endure fears while others are plagued by psychological horrors or simply can not stand arteries – the horrors of each film are broken down into three criteria: suspense, scary and gore , This time: Ari Asters Midsommar, the highly anticipated sequel to Hereditary . (We have listed Hereditary for comparison below.) Let the celebration begin.
If you've seen the trailers for Midsommar you know it's a series of sinister events and rituals that unequivocally lead to a major event, a ceremonial finale of … of some sort. You're probably going to be scared of what those blond revelers have planned, but the movie does not sneak up on you or rely on cheap jarring, except for one or two slight jump fears and some sudden close-ups on bloody images, the latter of which becomes a kind of signature for Aster, who memorably used the device in Hereditary with his head severed.
Although tempered with frequent gallows humor, about which I will soon speak, Midsommar is pretty scary. With the score of Bobby Krlic, also known as the Haxan Cloak, creating an almost claustrophobic atmosphere of suspense, the film moves from one insane, hallucinogenic set piece to the next, and there are several truly horrific deaths on which Asters camera dutifully lingers ,
About these really terrible deaths! Not all of them are staged for the camera – sometimes we just see the equally terrible consequences, so we can imagine the act – but when people die on the screen, we watch them with agonizing details. My thoughts often went like this: "Oh, he'll cut away now Ah, no, take a close-up instead!" To avoid spoilers, I do not go into details, but the movie checks pretty much every Gore box you do to be able to imagine. Also bad for the vomit.
I have to admit, I was very afraid to see Midsommar . I found hereditary as perishable, unlike some of my peers, but ritual violence and folk horror are high on my list of "I would rather not". Nevertheless, to my surprise, Midsommar often plays like an incredibly dark comedy. Sometimes I wondered if we should even laugh, but we laughed. It is really disturbing and there are some very funny sequences of violence and grief, so it's still at the top end of the scale. But all in all, I slept well afterwards.
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