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Home / Entertainment / Joaquin Phoenix kills it in a dark, contemporary DC Origin movie – Venice – Deadline

Joaquin Phoenix kills it in a dark, contemporary DC Origin movie – Venice – Deadline



Jack Nicholson, Jared Leto and Cesar Romero from the 1960s Batman is one of the many actors who made a recording when they played the legendary DC Comics super villains. Heath Ledger took it another way in The Dark Knight and won a Posthumous Supporting Actor Oscar. Now it is Joaquin Phoenix's turn as a character in the original original film Joker in a brave piece of filmmaking that speaks to the world in which we actually live today, as few films do. If you thought you knew Joker before this Joker, think again.

Phoenix is ​​all in and then in a performance so dazzlingly risky and original that you might as well start engraving his name on the Oscar. No joke, this is a movie that premiered today at the Venice Film Festival ̵

1; unlike any other in the DC universe, and you will find it impossible to break away from it. At least that's what I did.

Deadline

In a sense, this is an unpleasant movie, and although other comic book movies have gone to deep places that reflect the time they were made while remaining true In the 1980s, dealing with a very dark and unforgiving Gotham city, he might have been transported to the present when he plunged into a world of insanity in Arthur Fleck's character when he finally turned into Joker. Cinematically, it could be a sort of cross between Travis Bickle and Rupert Pupkin, the characters Robert De Niro played in Martin Scorsese's Taxi Driver and The King of the Comedy.

But director Todd Phillips ( The Hangover) and co-writer Scott Silver have more in mind and say a lot about it on the way – with Phoenix's exceptional performance how a murderer is born. And even though Joker gets vicious, it's clear what created him, and that includes a society that just does not care about people like him. Like no other new movie I can remember, it says a lot about our treatment of the mentally ill, a condition that many of our current leaders cite as a reason for killing a loner with a gun.

There is a particularly frightening scene in which social therapist (Sharon Robinson) Arthur regularly informs him that they are closed for lack of state funds. "They do not care about people like you, they do not care about people like me," she tells him. Arthur is a man who is obviously disturbed, suffers from a strange chronic laugh, lives with a mother who suffers from her own mental illness, grew up without a father and works as a party clown in a veritable dive. He is bullied, laughed at, beaten up, but still dreams of being a famous stand-up comic, though his material is pretty awful.

Nevertheless, he falls to the Johnny Carson-like talk presenter Murray Franklin (in an ironic, perfectly curved curve), who sees a viral video of his miserable act and invites him into his show – not to laugh with him, Like him, Carson once had Tiny Tim as guest, but a violent encounter in the New York subway, revenge on unfriendly colleagues, and utter clown anarchy in the streets of Gotham come to Arthur and his head on this journey Transforming into Joker Together This includes De Niro and Frances Conroy as Arthur's mother, along with many others along the way.This movie will make you stagger – and think – in a land of seemingly weekly mass murders by someone with a gun This comic-genre story by Joker is a must.

Producers include Phillips, Bradley Cooper, and Emma Tillinger Koskoff, and Warner Bros releases it on the 4th of October. Watch my video review at the link above with scenes from the movie.

Are you planning to see Joker? Tell us your opinion.


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