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John Carpenter on the lingering sound of "Halloween": NPR



John Carpenter (center) staged and wrote the score for the horror classic Halloween, and wrote the score for its sequel in 201

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Trevor de Brauw / Courtesy of the artist


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Trevor de Brauw / Courtesy of the artist

John Carpenter (center) staged and wrote the score for the horror classic Halloween, and wrote the score for its sequel in 2018.

Trevor de Brauw / Courtesy of the artist

Michael Myers is back. The Boogeyman from the Halloween movies has returned to terrorize Laurie Strode – played by Jamie Lee Curtis – exactly 40 years after the release of the original movie.

John Carpenter staged this low-budget, highly influential horror film and also composed his scary, minimalist score. The new Halloween was staged by David Gordon Green, but only one composer knows how to score Michael Myers – so Halloween fans were very happy when producer Jason Blum Carpenter asked to score Michael Myers 2018 Homecoming

While the original Halloween score is one of the best-known and most consistent horror scores ever written, she was also one of the cheapest. Carpenter's 1978 film about a masked butcher stalking babysitters on Halloween night had a budget of around $ 300,000 – no money for an orchestra or a well-known film composer. For example, Carpenter, who learned to play music as a kid and played in bands since college, booked a synth studio in LA and picked up some simple tunes.

"I had only three days to make music Halloween ," Zimmermann says. "I've recorded five or six topics. And that did not make a picture. That was just blind, and then I cut the themes into the movie. I had to guess different moods. What surprised me is that they really fit. "It's a cheap but effective way to scoring."

With these minimalist pieces for analog synths, Carpenter created a driving, dream-like sense of fear. The music turned Halloween from a low-budget Slasher band into one of America's greatest horror films. "It's right up there with Psycho The Texas Chainsaw Massacre and Alien ," says film critic Matt Zoller Seitz. "Michael [Myers] does not run – he leaves, which makes him a lot scarier, and then hear the score: there is not much fuss in the score, it's as minimalist and effective as the Butcher's Knife Michael wears."

Carpenter no longer directs, but writes catchy, hypnotic albums and plays live concerts. He says he appreciates Halloween 's continued success.

"I love what Halloween did for me, and I love the movie itself," says Carpenter. "And every time a sequel is made, I get paid."


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