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Home / Entertainment / Lana Del Rey's "Norman F — Rockwell" dazzles: retrospect

Lana Del Rey's "Norman F — Rockwell" dazzles: retrospect



Anyone as obsessed with California as Lana Del Rey – obsessed with its beauty and glamor and the potential for danger that undermines the swollen promise of this place – was probably destined for a Laurel Canyon phase, and right there We Find the singer on her rousing and emotionally risky new album "Norman F – Rockwell!".

She may be the least likely pop star of the decade: She believes in slow tempo focusing on albums at a moment when bite-sized singles dominate. But where others can fight to survive a virus destroyer, it offers fans the entry into a fully realized world. This means that she can evolve at her own idiosyncratic pace. [201

7] The sequel to "Lust for Life" from 2017 featuring weekam and ASAP Rocky cameos, Del Rey's fifth major label studio disc surrounds her stunning vocals with stately piano and gently fingered acoustic guitar; It's a calmer, more hand-crafted endeavor than her previous work, which created a hip hop torchlight vibe and made her a favorite of Kanye West, whose wedding she performed in 2014.

In "Bartender", she describes a party in which the "Ladies of the Canyon" listen to Crosby, Stills & Nash, while "Venice Bitch" evokes the "Our House" of this veteran band while she sings: " You're in the yard / I light the fire. " "(Later, she borrows the title of Neil Young's" Cinnamon Girl ".)

For Del Rey, who is known for putting together her groundbreaking" Video Games "clip of found footage, all of these references are the latest in her constant ramble California history, which will undoubtedly get her into a gold rush at some point.

But she and her lead producer Jack Antonoff also look back on Laurel Canyon's folk-rock fantasy of domestic bliss to deepen Del Rey's own songs in a romantic way Grabbing intimacy and occasionally reaching out to those who escaped it in the past.

You would not call the album happy, exactly – note this F-bomb in the middle title – but title such as the tender "Love Song" and "F – It I Love You" represent a clear departure from the grim fatalism that characterized Del Rey as she was in the early 201s Kesha and Katy Perry

"You write, I toure, we make it possible," she says in Venice Bitch on a relationship between two creatives. "You are beautiful and I am crazy."

Why the turn to the light? Del Rey is 34 years old – mature enough for today's slow-growing conditions that the old stories about Joni Mitchell and Graham Nash are likely to catch on. (She keeps her privacy pretty strict, so we have to assume that these songs have some connection to reality.)

However, Del Rey is also a proven contradiction and released her debut album "Born to Die", his influence unmistakable in the music of Ariana Grande, Lorde and Billie Eilish. No less influential is their visual cut-and-paste style, which you can not think of every time the opening speeches on HBO's "Succession" pop on screen pop songs – is someone who longs for Del Rey to put it in " Venice Bitch "does, after" Hallmark – a dream, a life, a lover ". Or after her perseverance in the bustling "Mariners Apartment Complex," which "you've taken my sadness context."

The good news about this album is that despite the great melodies and Del Rey's vocals that have never been so vivid, her sense of humor has become even more apparent when she has mitigated her attack.The title track is both empathetic and merciless in the description of a "man-child" who speaks to the walls when his friends bore him. 19659002] "Why wait for the best if I could have you?", She asks herself about a pretty arrangement full of horns and strings.

And with all the interest in the idea of ​​creating a home: "You never have to be stronger be comforted when you're real when you're in my arms. "She comforts a lover in" California "- Del Rey does not block the world outside. Near the end of" The Greatest ", in which she's eagerly awaiting e Bar, in which the Beach Boys have gone earlier, sings together a series of short lines that together provide a frightening portrait of life in 2019:

LA is on fire, it's getting hot

Kanye West is blond and gone

Life on Mars is not just a song

] I hope the live stream is up and running almost

Antonoff still plays a small piano-lick after that, each repetition a bit quieter than the previous one. It feels like a pillow that Del Rey knew you would need.

___________________

Lana Del Rey

"Norman F – Rockwell!"

(Interscope)

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