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Let's look back at the catastrophic attempts to shoot an X-Men movie decades before Dark Phoenix



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Dark Phoenix proved largely disappointing completion of X-Men films, especially since the original edition in 2000, laying the foundation for the modern superhero movie boom but for Marvel's mutants it could have been worse if some attempts had been made to make one X-Men film had been drafted several decades ago. Polygon has studied in detail the mission of former Marvel manager Alice Donenfeld-Vernoux to convince Hollywood that Sueprhero films can cost a lot of money, and although this seems very obvious to us now, she says that it is far from obvious in 1

979, when Stan Lee personally commissioned her to enter the film industry. "I wish I had money for every time I was thrown by one of the majors posing a superhero movie," she told Polygon (19459022), explaining that no studio was willing to spend money on anything from which they believed exclusively for children.

Marvel eventually entered into a deal with Nelvana, a Canadian animation studio that worked primarily on television, in the early 1980s, but believed that The X-Men could provide a successful film. Michael Hirsh of Nelvana had good intentions and brought in the now iconic X-Men writer Chris Clarement, who put together two different pitches, both of which revolved around Kitty Pryde, but both did not work and he became finally replaced by Marvel's Roy Thomas and Gerry Conway. At that time, Nelvana entered into a distribution deal with Orion Pictures – the studio responsible for a slew of 1980's hit genre hits – and two unnamed producers who clearly had no idea how to X-Men Movie should emerge chalkboard.

Thomas and Conway set up a story that was pretty faithful to The Comics's The X-Men with newcomer Kitty Pryde arriving at a weird school full of kids and finally a super villain fought, but the unnamed producers did not like it, and as Polygon explains, each design then moved further and further away from the source material. The details are so bizarre that they are worth reading completely, but the basic idea behind the recent story Thomas and Conway have pitched is that the X-Men are just a team of superheroes, there's no school , no mutants and therefore no prejudice against mutants. On Easter Island, there was also a climate fight in which Wolverine expelled a villain's nose (though the actual statues are nowhere near that big).

Fortunately, Orion began falling apart in the mid-'80s and it was sitting on the X-Men project for so long that Nelvana lost the rights to the characters. Fox eventually came and scooped them up, and in 2000, transformed The X-Men into a real hit with a movie that had mutants and a school for mutants and all the things one would expect in a movie , X-Men History. Nearly 20 years later, there were so many X-Men movies that we're all pretty tired of them. Life is funny.


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