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"Mission: Impossible – Fallout" team at skydiving stunt



WARNING: The following contains spoilers for Mission: Impossible – Fallout .

It's a good thing that Tom Cruise and Mission: Impossible – Fallout director Christopher McQuarrie speak his language

No, really: The couple who worked on seven films (including Fallout and Rogue Nation ) knows how to communicate without speaking whole sentences or even words. "We've developed a shorthand where the other actors no longer understand the language we speak," says McQuarrie, laughing. "We look at each other and say," Yes? "" Ah! " Mmhmm ​​ Uh right, with the thing. "And Rebecca Ferguson says," You know, nobody else knows what you're talking about. But Tom and I, it's so perfectly clear. "

This shorthand helped the two make the franchise's last breath-taking practical trick: a high-altitude-high-opening (HALO) in the first act of the movie They're the only ones who thought it could be done. " Everybody said [Tom] that it was impossible, but now I'm just used to it," McQuarrie says. "There's always someone ready, Tom Cruise to say, Hey, you know you can not do that. And I look at them and say, "This is your first Tom Cruise movie, right?"

Below, the director guides us through the steps to capture the scene.

The Challenge

It was not just about jumping out of a plane at 25,000 feet. It was also about light, camera technology and selling the action. (Remember, Ethan Henry Cavills rescues August Walker in the midair.)

On the other hand, McQuarrie was the one who wanted to break off at dusk and in one shot. "It could not be too bright, and it could not be too dark, so every day we had a shell of exactly three minutes of available light," he explains. "If Tom did not get the shot, then we came back the next day and did it again, we got exactly one take a day, so we'd rehearse all day and then we'd have a shot at dusk

He also needed Cruise to not just jump out of a giant military cargo plane, the C-17 Globemaster act portrays Ethan's despair as he tries to supply oxygen to a reckless, powerless Walker , "There's a lot of action in there, and that's what made it so hard to shoot," he says. "We did not want cuts, so you had to be able to choreograph all this action while following it between 120 and 200 miles an hour."

Chiabella James / Paramount Pictures

The Preparation [19659007] Even before testing the jumps, the team needed the right suits – and more importantly, the right helmets. (If you can not see Cruise's face, how do you know is he the one pulling off the stunt?) McQuarrie says a helmet was created just for the movie that would illuminate Cruise and Cavill's faces properly (see below)), and more importantly, keep Cruise alive when he made the jump. "This is not just a support," says McQuarrie. "It's a real life-saving device."

A life-saving device that could just as well have ended life. The director says that as they fitted the helm with lights, they worried that if the lights caught, Cruise's head would catch fire. To avoid the scenario, the helmets were tested at an even higher altitude of 35,000 feet. "Everything has been thoroughly tested very ," he explains. "The oxygen cylinder, the flight suit, the parachute, everything was built specifically for this sequence before Tom started his skydiving training." He pauses and then laughs. "It was another kind of the impossible."

Chiabella James / Paramount Pictures

The Final Product

After first testing with a wind machine, Cruise and McQuarrie tried to test real jumps. In the end, Cruise 105 (105!) Completed jumps – with cameramen around him and the earth chasing them – to get the shot.

McQuarrie, however, hesitates to call this stunt the greatest he has ever achieved and cruise; Eventually, he was there when Cruise stopped on the side of an airplane, and in Fallout he let a helicopter fly a helicopter in the fight against another helicopter. Is the HALO really better than all? "It's very hard to say what the quote unquote is," he muses. "They are all complex, they are all difficult and they are all extremely dangerous, all of them require specific training, and every time we did one, we kept saying," This is the stunt , And then we would get another! "

In fact, the filming ended so many dangerous sequences during the shooting Fallout that McQuarrie admits they had to stash one or two stunts on the floor of the cutting room." It was just too much film, "he admits with a laugh.

At least all the effort for the HALO jump – more of which can be seen below – made it into:

Mission: Impossible – Fallout is now in theaters.


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