It should not be like this. There should be more than one woman in the A list of rap, and the women in the A list of rap should be able to co-exist peacefully. They should be able to get together, to tour, to be friends. But it has never been like that. Roxanne Shante, the first female rapper to rise to solo fame, went hard after many of the women who came after her. Lil Kim and Foxy Brown, who came to fame around the same time and were next to some of the same people, fought together for years, eventually leading to a shooting and a prison sentence for Kim. Trina and Florida colleague Jackie-O hated each other.
There were exceptions. Missy Elliott, for example, recorded songs with other women whenever possible, and I can not remember that she ever had any problems with anyone. But in the past, women in rap ̵
Cardi B and Nicki Minaj do not fight with each other – at least not openly. They do not say their names in the files. They praise each other in interviews. They apparently share a barber. A few months ago they appeared together on the Migos track "MotorSport", a song that aimed to squeeze every talk of beef between the two. (It did not seem to do much else.) Nicki and Cardi are both good at "MotorSport," but it's not much of a song.)
"MotorSport" instead It made things worse. Cardi and Nicki said different things about who had taken their verses first, and they did not appear together on the video in the video. In an interview with Zane Lowe last week, Nicki was seriously hurt by how annoyed she was when Cardi gave her no respect after the release of "MotorSport." "I remember when I first came into the game when a female If this stature had played a role with me, I would just sing her praises and say thank you.The first interview she did after & 39; MotorSport & # 39; came out, it really hurt me. "
Nicki plays us naturally. She was in Zane Lowe's Beats 1 Show to unveil the release of two new singles, "Barbie Tingz" and "Chun-Li." Both songs show Nicki as a rapper in their martial prime, and both somehow address mischievous opponents with a haughtiness. Nicki released these two tracks less than a week after Cardi's debut album Invasion Of Privacy amidst Cardi's charm-offensive promotional flash. This was no coincidence. Nicki knows what she's doing. Even if she and Cardi are absolutely cool with each other, Nicki plays around with emerging Internet narratives and builds on the idea of a brewing, unspoken feud between her and Cardi. (Also on the Cardi album, there are many lines that – at least theoretically – could target Nicki.) The extremely successful rappers (and pop stars) now . They nod to their own ideas and to the imagination of the fans. They turn to rumors without addressing these rumors. It's all part of the big game.
And Nicki knows this game. In this interview with Zane Lowe, she specifically mentions Trina. In 2009, Nicki and Trina both appeared together in Yo Gotti's "5 Star Bitch" remix, and the two rappers have since told nothing but nice things from each other. But Nicki and Trina were never really in competition. Trina is a great rapper with a long career and a lot of hits in her name, but she has never taken the alpha role Nicki wanted. Lil Kim is another story. Nicki never mentions Kim in this interview, but she started her career, at least in part, by offering Kim's bones. (Nicki's famous verses on Kanye West's "monsters," for example, are generally only Kim's.)
In the decade since Nicki's rise, she has never experienced a threat like Cardi. Without Nicki, Cardi could never exist, just as Nicki would never have existed without Kim. Cardi, like Nicki, is a loud and colorful and extremely New Yorker personality with an easy option for Southern Rap-Sonics. And Cardi's arrival felt like the arrival of a whole new era. It's something Nicki implicitly or not necessarily should tackle.
In this sense, the new Nicki tracks do what they have to do. Nicki needed a win and here she got one. The Pinkprint her last album came back in 2014, and the three singles that she had released on the same day last year ended up with a thud. She still regularly writes impressive guest verses to songs by other artists, but these songs usually do not exploit her enormous personality. (For example, when Nicki Katy Perry helped play "Swish Swish" with the VMAs last year, she looked deeply bored with the entire Rigamarole.) "Barbie Tingz" and "Chun-Li" do not sound like surefire hits, and you are not really designed to be surefire hits. They are designed so that Nicki can move around to remind everyone that she is still an absolute monster of a rapper. They do.
But also "Barbi Tingz" and "Chun-Li" feel prickly and strange and strangely joyless. Historically, the best nicki tracks have been those who combined their otherworldly technical rap skills with their explosive, absurd pop sensibilities – "Super Bass" for example, or "Stupid Hoe" or "Feeling Myself". "Barbi Tingz" and "Chun-Li" do not have that playfulness for them, they sound like what they are, songs of an established star who feels a new sense of pressure, Nicki is planning an album this year And hopefully, now that she has regained her fire-breathing Bona Fides, she can rediscover this side of herself because Cardi B is currently making ridiculously funny music and when we enter a new reality, in which more than one woman At the same time, Nicki will have to make ridiculously funny music again, God knows she has it.
Freddie Gibbs, G Perico, & Mozzy – "Colors"
Three of the finest voices in G-rap of the '90s – three voices that have little else in common – join saxophone sounds that sound like the deadly weapon .
 2. PeeWee Longway – "Jumanji"
The new Jumanji movie is loud and stupid and full of toilet humor. It's also a lot of fun. The same goes for this song. Also noteworthy: the video in which monkeys drink through Krazy straws.
3. Creek Boyz – "Boss Right Now"
This Baltimore group is what would happen if five different Fetty Waps sang together as if they were Jagged Edge, and I love her.
 4. The Alchemist – "Dean Martin Steaks" (Feat. Roc Marciano)
Not quite two minutes from Roc Marciano, who destroys a hazy psychedelic bass reef and how a drug hits.
5th DDG – "New Money"
We're all so inundated with the standard trap drum pattern that something like that – With those punchy off-kilter snares that subtly suggest the jungle or a British garage – sounds quietly revolutionary. 
IT WAS ONLY ONE WEEK GOOD
In Lil Jon's "Get Low" when the Ying Yang twins said 3 6 9, they were talking about the Nikola Tesla vortex math code … the more you know, the more you grow ?
– Danny Brown (@xdannyxbrownx) April 18, 2018