Honey Bunny leans across the table and asks what happened to the child. "There's probably nothing like a little girl," Pumpkin responds. "The point of the story is not the little girl."
This quick dialogue exchange exemplifies Tarantino's approach to visual violence against women throughout his cinematic career. He is a filmmaker concerned less about the morality of his stories, and more about the initial emotional impact the story has on his audience. His vision is not centered on what individuals want to do with the images they receive, but simply on eliciting a reaction. Tarantino unveils Once Upon a Time in Hollywood than Pulp Fiction debuted 25 years ago, and this child of story-making can sit at odds with vocal online communities seeking politically correct, morally guided storytelling. Tarantino why Margot Robbie's Sharon Tate had so few lines, the director responded, "I reject your hypothesis." Which, without having seen the movie, came off as rather flippant to me. After seeing the movie, it's easy to see Tarantino's frustration with the question. The movie is a love letter to the late actor, who was murdered fifty years ago. Robbie portrays Tate as gently flawed, and full of hope for the future. Baby on the way aside, Tate loved her career, Los Angeles, and what makes a real name for herself. Robbie creates a warm interior life for Tate using little dialogue.
A sense of deep dread grips all those who are aware of how her story ended. A group of young adults in their early 20s, too high to have their own opinions, were ordered to kill. They barely took the time to question why. In Once Upon a Time in Hollywood Tarantino draws a world where two white, cisgender, heterosexual males (played by Leonardo DiCaprio and Brad Pitt) were able to protect themselves through a series of chance. In avoiding the tragedy, Tarantino reaches a satisfying conclusion.
However, the conclusion was reached by murdering those young adults ̵
In Jackie Brown, Tarantino uses the death of Melanie (Bridgit Fonda), the blond surfer girl, as a punchline. Throughout the film, Melanie works the last nerve of everyone she comes in contact with. Being stoned in front of the television is her greatest aspiration. Playing opposite Louis Gara (Robert De Niro), the tagalong ex-robber recently released from prison, Melanie reaches her limit. Merely frustrated, the formerly mild-mannered Gara, Millie twice shoots her body in the parking lot. The build-up of that scene relies on Melanie to be woefully cruel to Louis, to the point that viewers might say, "She's asking for it." When the shots ring out, there is a relief because the agitating factor has been eliminated. A woman's life has ended.
Tarantino's most violent film, Daisy Domergue (Jennifer Jason Leigh) suffers from the captor, John Ruth (Kurt Russell). A word out of turn or a wrong song sung across the wall. The quick changes in John's temperament provide comedy relief to tense situations, making the violence against a woman's literal punch line. A pretense of equality exists in the text. Marquis Warren (Samuel L. Jackson) says to John as they ride with Daisy to Red Rocks, where they'll be hanged. "You mean," John retorts. "No, I do not."
But, when men are in pain, or their lives are in danger, it is not played for laughs. When Major Warren receives a bullet to the groin, his pain elicits groans. The camera sympathizes with his plight. When men are in pain, the camera lingers as they howl and contort in agony. When Melanie is shot, we never see her face again. When four of Domergue's men shoot three unsuspecting women, they are mostly silent before being shot.
Kill Bill starring Uma Thurman and having mostly women gives more of an equal playing field to the amount of pain the sexes are able to inflict and endure. Bill (David Carradine).
Girl power is often taken at a Tarantino movie. Moments in Jackie Brown and Kill Bill The Empowerment of Tarantino's Films
While as in Once Upon a Time in Hollywood there can be no doubt that in Tarantino films have come to terms with the violence, it could be normalized violence many real women are faced with daily. One in four women in the United States wants to suffer a violent act at the hands of an intimate partner. Twenty thousand phone calls are placed to domestic violence hotlines nationwide daily. A series of scenes where women are violently injured can be triggering or inducing painful memories of loved ones who have survived similar ordeals. Tarantino films.
Tarantino has crafted strong female characters and used them to bring them to life, but they may have a blind spot.  PGM.createScriptTag ( "// connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.6&appId=303838389949803");