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Sam Cooke, Bob Marley – Rolling Stone



Anyone who believes that making a documentary for a music is not simply directed by Kief Davidson when he was in Jamaica in 1976 when he investigated the assassination of Bob Marley. Davidson and his crew were taken to sketched neighborhoods in Kingston, where there was a police station had been shot dead the night before. Arriving at a cemetery to see where a Jamaican gangster was buried, they found themselves in the midst of a grass war, surrounded by military automatic weapons. "They do exactly what the military says and they go pretty fast," says Davidson. "I thought," This is probably the darkest Bob Marley movie ever made.

This type of research and all-in-reporting is one of many aspects that makes ReMastered a music series that features documentaries that were released on Netflix last fall.The series referred to specific events and examined what happened, why it happened and what external forces were involved, the series provides new insights ̵

1; and new interviews and documentaries – on stories and myths that we thought they knew.

Researched ReMastered Others include how Marley's shooting was the result of the reggae legend that was caught between the belligerent political parties in Jamaica (19459004 Who shot the sheriff? ) the terrifyingly terrible death and the forgotten positive legacy of Sam Cooke ( The Two Killings by Sam Cooke ), the still unresolved murder of Run-DMC's DJ ( Who Killed Jam Master Jay? ) and the controversial and kinky connection between Johnny Cash and Richard Nixon ( Tricky Dick and The Man in Black ). "It was important not only to revalue the information the audience already knew about famous musicians," says Jeff Zimbalist, who designed and produced the series with his brother Michael (in collaboration with executive producers Irving Azoff and Stu Schreiberg ). "We want to promote journalism and bring stories to audiences that may not be known about artists they know."

The series, which will continue on Friday with the premiere of the Cooke film, more than fulfills these goals. With rarely seen footage, the film tells the night in 1964, when the likable and likable pop and R & B singer was killed. He was shot dead by the night manager of a motel, to whom he had gone with a woman who turned out to be a hooker. It also examines the way the music business of the early 1960s was threatened by Cook's growing sense of civil rights when he became a crossover success and businessman (he owned a label and a publishing house). For example, a verse from Cook's major protest song "A Change Is Gonna Come" was released when it was first released.

Using a series of interviews with friends and colleagues, as well as with Smokey Robinson and Quincy Jones, The Two (19459004) Killings of Sam Cooke explores a tragedy far beyond Cooke's death: the way his shabbier Murder overshadowed his posts. "Part of his legacy was abducted by the way he died," says director Kelly Duane de la Vega. "He was an incredible musician, but just as important was how he contributed to the civil rights movement and embodied the idea of ​​an African-American artist having power in the record industry. It was a shabby end, and for some people the conversation ended. The film also features the legendary 1964 meeting with Cooke, Muhammad Ali, football pro Jim Brown and Malcolm X – and an FBI informant who took note of everything.

The often gloomy Who Killed Jam Master Jay directed by Brian Oakes, does not shy away from the murder of the DJ at his recording studio in Queens, New York in 2002. According to the film, his shoot may have been the result of his involvement in drug trafficking (his way of offsetting the group's declining record sales). In a similar way to the Cooke film, the film also blends the apparent indifference of local authorities with something even more disturbing. "It was important to point out a broader social issue to sweep these vile crimes under the carpet when they occur in certain communities," says Jeff Zimbalist, "and especially with hip-hop stars."

To achieve their goals, The Cimbricists – and the various filmmakers who directed each episode – abided by certain rules. No Behind the Music – Narrative in style. No cheesy adjustments. An emphasis on tracking down witnesses rather than relying on third-party analysts to discuss the events. The sensationalism is in favor of, as Jeff Zimbalist says, "in the role of music and political musicians advised to use music as a vehicle for social change." 19659005 When the cimbalm and the filmmakers realize they chase them down stories needed work. They discovered an unseen volume of Cash's White House performance of 1972 – but only in the Nixon Library. Davidson found the CIA's documents on Marley in the midst of recent WikiLeaks dumps of government documents. In some cases, the filmmakers dealt with sensitive topics and witnesses who were not always ready to take pictures and in front of the camera. An Interview Partner in Who Shot the Sheriff ?, is only seen in the shadows and with a distorted voice. "It's frustrating because you have verified information from multiple people," says Davidson, "but there's a feeling that things are not being exposed because it's going to have an impact." I never wanted to be a situation where someone who had " By shooting, someone has injured. "Michael Zimbalist adds," We want to solve the puzzles, but that's a sensitive line we need to go. "

The Cimbricists are especially excited about two ReMastered Entries on lesser-known but equally compelling topics. Massacre at the Stadium which is already on Netflix, documents the torture and assassination of Chilean folk singer and activist Victor Jara in 1973 and concludes a rare interview with the Man accused of killing him. The Miami Showband Massacre debuting on March 22, documents the awful e story of a popular Irish touring band. In 1975, three of its members were murdered in Northern Ireland when they tried to set it ablaze as an IRA bomber.

And what is the great white whale of the cimbalists – the pop music story or the mystery that has escaped them so far? "That's the second season," says Michael Zimbalist. "We can not tell you yet."


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