Salisbury, England – The corgis just would not behave. They ran away in the middle of the shot, causing general glee. "Sit down, sit down!" Cried Olivia Colman.
"Strong voice!" Asked the handler to stand nearby.
"Yes, Thenk you," said Colman with her best Queen Elizabeth accent. She frowned imperiously as she looked at the great dogs. "SEAT!" They sat.
It was a chilly November day last year and the new cast of the Netflix series "The Crown" was on the gilded couches and purple velvet chairs of a magnificent grand salon at Wilton House. A 1
With its artful intertwining of British history and domestic fear, the scene was the vintage "Crown." Designed and written by Peter Morgan, the series has issued two praised squadrons that explore the nation's politics and social practices as part of Queen Elizabeth II's reign, while providing a voyeuristic insight into the life behind the apathetic facade of the royal family ] on Netflix, and much will be known: the exact historical detail, the magnificent interiors of palaces and mansions.
But it will not be an important aspect. The actors who play the main characters were all replaced for seasons 3 and 4.
This is the first manifestation of the plan of the show from the beginning: Elizabeth, Philip and other royals should be re-cast regularly to better reflect the characters. advancing age.
"I think that the longest period of time that an actor can believe in an aging part is about 20 years," Morgan said in a telephone interview. "From the beginning, we've decided that if everything works and keeps going, we would recast every two seasons."
But it still feels startling at least initially. "The Crown" winks at the opening of the third season, as the Queen discusses her image on a new postage stamp next to the previous one, which shows the profile of Claire Foy who played Elizabeth in the first two seasons.
"A lot of changes, but here we are," says Elizabeth, brushing away the compliments of a subordinate. "Age is rarely nice to anyone."
The exchange is also a game of chance for a series that has been well received by its lead actors, notably Foy, who won a Screen Actors Guild Award and was nominated for an Emmy. But Morgan and his producers found in Colman, who is loved by the British public, a fairly safe casting bet and gained wider fame last year when she won an Oscar for her portrayal of another English Queen (Anne) in London "The Favorite (There is at least one person who disagreed with this election: Charles Moore a noted journalist and Margaret Thatcher biographer, wrote in The Daily Telegraph that Colman's" clearly left-facing face "" made her for the role inappropriate.)
"Olivia has a similar, eerily intuitive understanding of the role and silence that Claire has," Suzanne Mackie, an executive producer of the series said in a telephone interview like ordinary women, we should somehow know them, but when they become the sovereign, they become unknowable and distant. "(Looking back at the new staff el wrote The Independent that "something dazzlingly banal about Colmans" is portrayal of Elizabeth.)
Colman, who plays a more seasoned ruler with a cooler, more self-confident personality, said in a sit-in interview last fall that she had tried not to to think of stepping into Foy's footsteps. "I'm a big fan. Claire was just stunning in this part," she said. She sounded more like her character and added, "But you just keep plowing."
Ben Caron, a director and executive producer in the series, said in a telephone interview that it had been "fairly dreadful" for the new cast. "Not only do you have the real spirit of the character, you have the spirit of the previous actor," he said.
Helena Bonham Carter, who took over the role of Princess Margaret of Vanessa Kirby agreed to this feeling. "My first thought was that I did not look much like Margaret and definitely nothing like Vanessa," she said in a telephone interview. "I'm about two meters shorter and two meters wider. But they did not seem to be disturbed.
After reading some of the scripts, she was fascinated by Margaret's complexity and contradictions, and she began a period of "forensic" research where she met friends of the princess and worked through a list of books recommended by Kirby would have.
"It's very dynamic to be able to capture different aspects of a character through different people," she said. "And I loved taking on the role of Vanessa, which helped me a lot. We could compare notes and say, "What's up with that? How would she react? & # 39; "
(Sometimes there were more practical issues with the line-up changes. The production initially tried to use contact lenses and special effects to turn Colman's and Bonham Carter's brown eyes, like Foy's, into blue and Kirby. then did not feel like the actors we loved, "said Caron 19659002" The Crown is both essentially historically accurate and clearly fictional. "It's not a documentary," Morgan said "But I try to make everything as truthful as possible, even if I do not know that it is completely correct."
Or as Erin Doherty remarked that the young Princess Anne in a memorable Wise represents on-set between the settings: "After a while you have to drop your thoughts about who they are – you have to accept that we are the royal family of Peter Morgan."
"The C rown "was designed from the beginning for six seasons. each covers approximately a decade of Elizabeth's life as a monarch, and it is Morgan's special take on each season that has given the series an unmistakable blend of personal and political character.
Season 3 begins with the election of Harold Wilson and a Labor government in 1964 and ends with the Queen's silver jubilee celebrations in 1977 . Along the way, global monumental moments such as the 1969 Moon Landing are overlaid with lesser-known national events (the terrible avalanche of coal waste in Aberfan, Wales, killing 116 children and 28 adults); political intrigue (the miners strike of 1973-74 ); and family drama, including the breakup of Princess Margaret's marriage to Lord Snowdon and the foiled romance of Prince Charles and Camilla Shand. Each episode could be viewed as an independent drama with overlapping actions resonating in unexpected ways; These correspondences and echoes give the show its emotional heart, Morgan said. "Planning the season is the part that I like the most."
Morgan spends six months prior to writing with a detailed timeline of the period, which includes significant royal milestones such as marriages and deaths. as well as important political and social events. Once Morgan begins writing, a larger team, including researchers, screenwriters and producers, is closely involved in the process.
"While we did Season 3, we probably spent most of our days with Peter," Mackie said. "It's not enough to know the historical facts of history, you have to find out where the tension is, the human side, and when Charles goes to Wales, it's not just about a young man learning Welsh for political reasons but that a young man finds his own voice. "
Morgan, thinking of an episode, said that he considered what might have" intimately crossed "with the Queen." They are thinking the assassination of Kennedy, Carnaby Street, but what is the connection there? "he asked rhetorically," but when I discovered that the astronauts had come to the palace from the moon landing with horrible colds, that was invaluable. " "First you have the same ideas as everyone else over the decade," he added. "It's like taking a bath in an old house; First the rusty water comes out, then the clear one.
The lunar lunar episode focuses heavily on Prince Philip, with a tour de force appearance of Menzies as a man suffering from an identity crisis, for whom the astronaut's achievements reflect his own missed opportunities. Other episodes focus on Princess Margaret, and the later part of the series devotes considerable weight to the young Prince Charles, portrayed by O'Connor as a sensitive and insecure young man who contradicts the relentless commandments of royal behavior.
"There is a difficult moral issue at the heart of his life," O'Connor said in a telephone interview. "To be king is to wait for his mother's death."
But the queen is always the focus, Morgan said. "Every time I try to write an episode in which she is not involved, she runs aground."
What's different in Season 3 is that "It's no longer the story of a woman who She finds her way navigating with her partner to a woman in the heart of a family drama. I look up & # 39; The Sopranos & # 39; or & # 39; Succession & # 39; and think they are just different versions of what we do. & # 39; United Kingdom and Gibraltar European Union membership referendum. (In Episode 8, the Queen goes to Paris to ask President Georges Pompidou for Britain's accession to the European Union.) "I think at the moment you write, she loses power," he said. He stopped. "But there are times. In Episode 10, Philip gives a speech on politicians, and I have probably given this one extra coat of paint, which may point to the complete failure of the political class at the moment. "
But for the most part, he said," What When you write The Crown, it means Britain is in a permanent crisis. We speak of a divided country here and in the US, but moments of unity in which the majority of the country agree are really rare. We invent a deadlocked past. "
However, as Morgan wrote in 2013 in his piece" The Audience "which inspired the series, the reigning monarch represents" an uninterrupted line, the constant presence "that represents the deadlocked past and present quiet future. That's the power of the crown – and "The Crown".