If you're wondering if The Walking Dead may have lost your setup with a heavy metaphor, do not worry: Three quarters of the way Through the reunion of the horror drama, Negan pulls out a compass to guide him towards … Judith Grimes, whose initials are engraved on his back.
Yes, the second half of Season 9 has returned to hold the promise of a mysterious new threat, and while the Whispers have just begun to spread, the few moments of their tricks show in "Adaptation." how disturbing and threatening they can be. Even if you know that people live and breathe under these stitched Walker masks, it's still remarkably effective (and cool, frankly) to watch a mass of walkers gather at the cemetery gate that Daryl has closed behind him Just for one of your hands, slide between the bars and turn the latch so the horde can continue their pursuit. After several years of glamor villainy in the form of Negan and the Savior, there is an astonishingly low-key sense of the enormity of this new threat, albeit distracting from the interpersonal conflicts and conflicts between the camps that animate the best parts of the first half of the season. The Whisperers are damn scary, something this show has not been for a long time.
If only every subplot was introduced, this episode brought such intrigue. For every moment Luke uncomfortably seeks a place among his new neighbors, there is a moment when Daryl and Henry exchange masculine words about responsibility. (I'm sorry, Henry, you're still an idiot.) For every scene Eugene has tried not to tell Rosita about his feelings, there's an almost disturbing exchange between Negan and Judith, who seems to be the only boy in the Apocalypse You have the freedom to walk through the gates of your community without a single adult expressing concern. Honestly, how did she know that Negan was approaching? Who let her go alone? Who thought that any part of this underground makes sense? It was already plausible when she had watched him arching the fence, but his reunion with her chosen belief The Walking Dead should know better than to suspect that he could get away with it. At least Negan's walk was not as bad as he could have been. The newly-bred ex-prisoner had to see with his own eyes, for not entirely clear reasons, that Sanctuary had become garbage, a wasteland of bad memories that was literally populated by the confusing corpses of his former followers. There was an element of "Negans ̵
Meanwhile, Hilltop plays before the loss of Jesus. As Tammy tells Tara, people will want to punish someone for what happened, and right now the only candidate is the young woman locked in her cellar. It's pretty clear Tara is not ready to take control. So, with a small push, Daryl agrees to come back and help put things right. It's an abrupt fulcrum to a character we last saw living alone in the wild for years, but discovering the Whispers is a significant change that does not really worry about letting him return to the community.
Frankly, neither he nor Michonne had much to do with character in this episode, but instead they were mostly used as a tool to extract half-reliable information from the mouth of Lydia, the captive Whisperer. Okay, this is by far the best thing on the show, so you can just as well lean on it. The version of this character appearing in the comics is beginning to mesmerise their flesh-weary associates, but everyone suspects what TV Lydia will look like. At the moment, she sounds a bit brainwashed and insists they're fine before our heroes pass and slaughter them. "We were good. It's what we did to live. "She sees nothing strange about her arrangement. On the contrary, it is now the undead world and they are just trying to come along. Anyone alive is a threat to his people – that's their reasoning – and Hilltop should therefore expect danger.
And yet her other assessments are so obvious nonsense, it's hard to know how much she hides or how much she plays as a frightened prisoner. There is no way that there are about "10 of them, maybe more" when it comes to Whisperers, so everything she says is suspicious, as Daryl and Michonne assume. In contrast to the stupid old Henry, who of course is already thrilled with the disembodied voice from the next cell. One thing she has is correct: Walls do not necessarily protect you.
The Luke-Alden roundabout feels like a miscalculation on the part of the series. Does anyone care about these two characters to make such a mating mandatory? Dan Fogler does his best to create some affection for his optimistic music teacher, but there is not enough history to justify extended scenes that only the two show. By the time they are finally caught (the woman can only assume that she is Lydia's mother Alpha, since Samantha Morton, who was cast in the role, was here in the credits), it is an inadequate one Emotional Attachment Makes Land Wanderers in the woods, who suddenly turn out to be whispers, are all great about the new nemesis. Just tell us a reason (and a character to worry about) that we can invest in their actions.
- There is still no progress on the narrative front, "What happened between the communities?". Aaron briefly tells Michonne that she was right to keep Alexandria isolated, but that's more of a response I've just observed that Jesus dies than anything else.
- "But then you attacked us and now we're dead." Are you tall, Lydia?
- As Rosita of Siddiq is pregnant, this is the most soapy entanglement that we have seen for some time, which Eugene listens to.
- I liked that Eugene apologized during his medical treatment for the "involuntary bites and scratches".
- The best part of Henry, who is still in a cell, is no longer one of the agonizing children he's friends with.