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Welcome to Marwen Bombs at B.O .; Loses $ 60 Million: Here's Why



When a filmmaker tries to knock them out of the park, they sometimes strike him, and when it comes to delivering one-off VFX dramas, Robert Zemeckis does not stop to pursue the ambition of founding the World Trade Center around 1974 in his 2015 misfire The Walk or Dice and Prove that there is an omnipresent drama in an obscure Zelig -like concept such as Forrest Gump, which turns out to be director's best Oscar winner doubled, and $ 678M Blocking Blockbuster .

Zemeckis's Newest Universal / DreamWorks Production Welcome to Marwen was an attempt to adapt the moving 2010 documentary to Marwencol about Mark Hogancamp, who after being brutally attacked His PTSD was constructed by Art Healing Therapy, the miniature WWII scenes of mostly female puppets. The trailer, with its story of a guy who consumes himself in a doll world, has drawn a similar kind of heart string as Forrest Gump .

. The audience not only bought it . US $ 2.3 million at 1

,911 theaters in addition to the God-awful two-star output, 57% positive and 37% definitely recommended on PostTrak with a B-on CinemaScore. Prior to the release of Marwen the social media monitor RelishMix noted a mixed reaction among moviegoers online, with some people being rejected by the protagonist's fetish for wearing female high heels. For both Zemeckis and leading man Steve Carell, Marwen is the lowest release release ever at the domestic box office.

But before the audience refused the award […] Marwen dropped the award ceremony after a cut in mid-November. And if this Illuminati was completely pissed off with this movie, this kind of drama is as good as dead in the award season at this time. Rotten Tomatoes was extremely low at 27%. Rotten with Joel Morgenstern to the Wall Street Journal that Marwen was placating that it was "mentally stunning, immensely, cheerfully violent, and completely lifeless" to believe, though I would not recommend it. "One year ago, the award-winning press was a bit crazy about Greatest Showman but this movie (yes, completely different from Marwen ) convinced the masses, as it was a hymn-active musical Hugh Jackman acted.

The debate in the industry continues, therefore, whether an off-beat film such as Marwen is more appropriate in-home streaming experience or theater. It was clear that a large screen sharing was provided here. The film financial sources of Deadline go for Marwen, after a production cost of $ 40M- $ 50Mio and a worldwide P & A of around 60Mio. Our sources, who know about the budget, say that originally a $ 120 million P & A amount was considered for the film during development. However, Uni reduced this significantly after learning that the image was spoiled goods. DreamWorks sold a pro-rata 40% commitment with Universal, with Perfect World providing additional funding through its shale agreement with the latter.

Marwen had an original release date on November 21st. Then, last weekend pushed for a month as Universal prioritized Green Book for the award and staged Peter Farrelly's film TIFF launched where he won the Grand Prize of the festival, the Grosch People's Choice Award. We also heard that Marwen jumped this weekend as more VFX work was needed. When a studio has a bomb in its hand, there is no better time for publication than at Christmas, when the multiple image of an image can be 8 times or more. Our sources of finance include an estimated less than $ 20 million worldwide movie rental and global accessories (global television, home entertainment, free television, SVOD) that are expected to bring in less than $ 35 million. Pin Marwen another challenging high-concept movie that was a marketing nightmare (Man, the title alone keeps people from doing so), no different from the science fiction bomb of Uni / Media Rights Capital of last weekend [19459003MortalEngines which is expected to lose far north of $ 105 million.

Despite a dreadful December, Universal can win consolation by finishing third at the 2018 national box office. Jurassic World: Falling Kingdom ($ 416.7 million), The Grinch ($ 254 million), Halloween that of Blumhouse and Miramax (159, $ 3 million) was co-funded, Mamma Mia! Here We Go Again ($ 120.6 million) and Fifty Shades Freed ($ 100.4 million).


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