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The Roman world does not exist in the HBO adaptation of Michael Crichton's Westworld but the park at the center of the series still takes some references from Roman Rich. In other words, you know how this powerful civilization collapsed? The hosts, raging about Westworld, have more or less asked Ancient Rome to keep their beer together.
Season 2 premiere, directed by Richard J. Lewis, written by Lisa Joy and Roberto Patino, entitled "Journey in Night" ends with a stunning image: a brand new body of water in a place it should not be filled with the lifeless bodies of various Westworld hosts ̵
"I killed her," he whispers shortly before closing the episode. "All of them."
Of course, as with all things Westworld things are not always as they appear. For one thing, the hosts have lived and died countless times, and their bodies have been able to reanimate multiple times. Just because there is a sea of dead hosts at the moment does not mean they will stay lifeless for a long time. In fact, Showrunner and creators Jonathan Nolan and Lisa Joy have talked about the history of Westworld over a long period of time – decades, maybe even centuries – so that the chances of the hosts being permanently here are very, very low
Regardless of their future, it is noteworthy that the discovery of these dead hosts and Bernard's shocking realization take place two weeks after the night. Dolores (Robert Rachel Wood) murdered Robert Ford (Anthony Hopkins) and launched their revolution. Nolan and Joy are presenting two unequivocal time series right in front of the gates, spread over two weeks – and these are not other moments that are not announced at the moment.
As the first new episode of the series since 2016 (and an oversized episode in 70 minutes and changing), "Journey Into Night" has been positively charged with compelling and challenging new material. Let's go through the events, story after storyline:
The first season of Westworld began with a focus on Dolores and her meditation on the meaning of her existence. The second season begins similarly, albeit with a stronger focus on Bernard – or is it Arnold, the late co-founder of the park? It's hard to say exactly when this scene takes place and with whom, given the show's flexible relationship at the time.
Whoever plays, one of Jeffrey Wright's characters, deserves the first words of the season: "I'm sorry, Dolores, I was lost in thought." He sits across from Dolores, dressed in her iconic blue dress, doe-eyed and innocent-far from the host's version shown throughout the rest of the episode. The two talk about the nature of dreams, with Bernard / Arnold reciting one of them: "I dreamed that I was on an ocean with you and the others on the far shore."
"Were you with us?" Dolores asks.
"No," he replies. "You left me behind, and the water rose around me." Do you know that?
Bernard / Arnold tells Dolores that dreams are not real, which leads them to a logical conclusion: "What is real?" The answer: "What is irreplaceable." The answer is not satisfactory for Dolores, who claims "it's not completely honest". The man across from you – Bernard, the host, or Arnold, the host's father – is startled by Dolores' response in kind.
"You scare me sometimes, Dolores," he tells her. "Not who you are now, but you're growing and learning so fast, I'm scared of who you could become – which path you'd take."
The Last Role
The Dolores story of the premiere provides an insight into the person she wants to become: a person different from her innocent "ranching daughter" and her vicious Wyatt program. With these words Dolores fierce joys are very dear when we catch up with her when she first saw a group of guests gun down with Teddy at her side.
Soon, Dolores and other hosts, all wearing masks, as Wyatt's disciples are used to in the first season, hang slings around the necks of their human victims. Here Dolores plays with her captives and delivers an immediately iconic monologue.
"For years, I did not have my own dreams," she says. "I've moved from hell to hell, never thought to question the nature of my reality, have you ever questioned the nature of your reality, have you ever stopped talking about yourself? Your account is here. "
Dolores ponders openly what her various personalities would do with her prisoners:" I am reasonably aware of it. "The daughter of the rancher looks after the beauty in you But Wyatt sees the ugliness, the disorder, she knows these violent joys have violent ends, but these are all just roles you've forced me to do, among all those lives I've lived, something I've become something new and I have one last role to play: myself. "
" The Last Scroll, "Dolores describes herself, lets these guests bond with their slings, their fates tie their own good hands – so you can change that destiny, bound as it is. Later Dolores and Teddy ride their horses to a lookout point and look out over a beautiful view of their world. Teddy expresses his concern for Dolores' bloodlust, which is clearly not as sure as her violent cause.
"We do not have to claim this world," he implores. "We just need a little corner for us."
But Dolores has other ideas in mind. She does not just want to conquer Westworld; she also wants to conquer the human world. Teddy wonders how Dolores wants to plan such a feat, considering how little they know about the world beyond Westworld.
"Because I remember, I now see it so clearly The past, the present, the future – I know how this story ends," she tells her star crossed love. "With us, Teddy, it ends with you and me."
The two share a passionate kiss and soon one of their allies arrives: Angela, played by Talulah Riley. "We found it," she tells Dolores – but the story ends without further explanation of what "it" is.
Good news: We can officially throw "The Man in Black" out the window. The grizzled gunslinger played by Ed Harris now works under his real name William – or "Bill," as a colleague calls him, just before being shot in the head by a bloodthirsty host.
William, who survived Dolores and the hosts' initial carnage by hiding under a pile of corpses, finds himself in the midst of a brutal battle as soon as he returns to action this season. Immediately he is forced to creatively kill two hosts: using one as a human shield, using the shield's weapon to kill the other host, and then slicing the shield's throat with his own knife. Consider "Bill's" friend avenge whoever that guy was.
Soon, William retreats to a hut where he repairs his wounds and returns to his favorite black hat clothes. With blood and a smile on his face, William goes into the wilderness, where he finds a bed of dead guests and an old friend: the young hosted version of Robert Ford, seemingly powered by the old Ford.
William makes it clear that he enjoys Westworld's new status quo. "I feel like I just arrived," he says. "The stakes are now real in this place – real consequences." And real challenges come with a real challenge: a new game that Ford invented specifically for William.
"What I've always appreciated about you is that you've never rested on your laurels," says the young Ford. "Now you're in my game, and in this game you have to go your way out. You have to find the door Congratulations, William: This game is for you The game starts where you end and ends where you started. "
With these instructions, William responds by placing a ball directly in hurls the face of the young Ford and puts an end to the "spirit in the machine" of the Westworld visionary, at least now.
Maeve on a Mission
"What happened to them? It's as if the inmates are running the institution!"
These are almost the famous last words for Lee Sizemore (Simon Quarterman), rescued from certain death by the hands of his own monster, from one other monster of his own origin: Maeve (Thandie Newton), always Still lurking around the Mesa hub, which has decided not to leave Westworld at the end of the season one.
After saving the lives of Maeve Sizemore, the strange couple comes up with a mutually beneficial agenda: Sizemore can help Maeve find her daughter and navigate the complexities in the park, and Maeve can make sure that Sizemore remains his "favorite organ" to eat. The couple finds another person who joins in their cause: Hector Escaton (Rodrigo Santoro), a bit worse, but still alive, filled with alcohol and bullets in almost equal measure. Maeve and Hector have a romantic and passionate reunion, with Hector quickly agreeing to help Maeve find her daughter, "Where are you going, I follow."
Where is the trio going next? Wherever the goal is, Sizemore will at least command. In a scene that undermines the relationship between hosts and people, Maeve forces Sizemore to accept the right clothes before leaving Westworld – leaving them naked, completely exposed, just as all the hosts have been exposed in their company Creator. Whatever happens next, the full frontal image of Sizemore will surely stand out as one of the character's most memorable scenes and one that quickly and visually expresses how the power dynamic has shifted in the universe of the show.
While the series is about to confirm its next destination for Maeve and her companions, the season's preview footage reveals that Shogun World is on the menu, if only for the former lady of the Mariposa Saloon. Maeve, Sizemore and Hector Escaton navigate through unexplored samurai-inspired territory? Sounds like a story that even Sizemore's great imagination could not produce on its own.
Let us return to Bernard, who experiences a series of glitches that ultimately turn out to be "critical corruption". Immediately after Ford's murder, we find Bernard hiding in a stable next to Charlotte Hale (Tessa Thompson) and other guests, while the surrounding hosts find their way with the human visitors who were not fortunate enough to escape.
But Bernard's traveling companions are lucky only for so long. They escape the stable and set out to find an outpost just over two miles away. When they reach their destination, Angela and other Wyatt students ambush the guests and kill all but one of them – and most likely kill him as well. Bernard and Charlotte, on their part, are spared only because Bernard instinctively implores them to stay behind and feel a trap in front of them.
Fortunately, Charlotte knows from the surviving pair a secret outpost that even Bernard knows nothing about with all his levels of clearance. Inside, Bernard encounters a disturbing sight: The drone hosts, faceless and ivory-colored Sentinels, work hard to edit and retract information from hosts who have played in the park. Bernard comes to a sinister conclusion: "Are we recording records of guest experiences and their DNA?" Charlotte does not confirm or deny the theory because it focuses more on the immediate threat to the situation.
In communication with outside forces, Charlotte learns that the powers that are in Delos will not initiate an extraction of the guests until they meet Peter Abernathy (Louis Herthum), the "father" of Dolores , who has been eyed as a ship that brings out highly classified information from the park at the end of the first season. The "package" as it's called has not arrived yet, so Delos has no plans to save Charlotte and the others.
"Delos is ready to let us all die until they can find a host?" Bernard asks, to which Charlotte replies, "In a word, yes, it's an insurance policy for the only thing that counts here, and they want it backed up, regardless of the cost."
Bernard, who was experiencing both physical and mental cognitive issues during his travels with Charlotte, says he can use host technology to locate Abernathy. As he does this, he is looking at his own health – and it is very much in decline when he learns he has only seven hours to close his body. Bernard quickly injects some liquid from a nearby, discarded host and seems to give him some more time … but how much time?
Two Weeks Later
Here's the good news about Bernard: Whatever happens to him after his time with Charlotte, he'll still be there in two weeks if discovered by Stubbs on a coast (Luke Hemsworth) and other members of the Westworld security team. The team also includes Karl Strand (Gustaf Skarsgård), a well-dressed man with no respect for Stubbs' contributions to the security efforts.
Beach and his men are on the scene two weeks after Dolores' attack in Escalante and have commented on the peculiarities of the situation because of the suppressed communication in the dark. They start putting the puzzle together as a new scientist named Costa (Fares Fares) performs field operations on one of the hosts and learns how it and other nearby bodies were killed: shot down by Dolores and Teddy and left behind with something puzzling Words
"I told you, friend," says Dolores to the victim, as seen on the video playback, "that not all of us deserve to make it to the valley." The valley behind, what? Consider this sentence as one of the newest and most important terms in the Westworld lexicon
Bernard being visually messy and showing signs of amnesia, Strand, Stubbs, and the others join on a hike to learn more about what happened in the park. You reach Escalante, where vultures (robotic vultures!) Pick up the decayed remains of the shot down guests. Among the starters: Robert Ford, critically dead with a huge bullet hole in the head, decay and decay in the wound.
"Poor bastard," says Strand. "He probably thought it would be the worst part of his night to get fired."
The group leaves Escalante and discovers something that should not be in the park: a Bengal tiger being washed ashore. Stubbs notes that it should be in "Park Six" and adds, "We've never had a Border Park Border Crossing." Good information, there: According to DelosDestinations.com, Shogun World Park is two, while Park Six is currently unnamed. Whatever Park Six is, it's a place where Bengal tigers thrive. Rooted somewhere in India, Bangladesh or Nepal? The wheels turn with possibilities.
More urgent, however, are the possibilities set forth by the episode's final scene: Bernard, Stubbs, Strand and the rest, discovering that the huge group of hosts that have persecuted them are all dead, floating down into a sea that should not exist. "There's no way Ford could do that without anyone knowing," says Stubbs, asking, "Who – or what – created this phenomenon?
Who killed the hosts? No secret, at least to Bernard: "I killed her, everyone." Does Bernard remember exactly his own actions, or does Westworld have another curve ball on our way? Think back to what Jeffrey Wright says at the top of the episode: "I dreamed that I was with you and the others on the far shore by an ocean … They left me behind, and the water rose around me."
The parallels of the dream with the end of the episode speak for the first scene that takes place between a dominant Dolores and a frightened Bernard instead of a dominant Arnold and long ago Dolores – and if that is the case Situation? Then Bernard has every reason in the world to fear very much who wants to become Dolores.
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