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What "Halloween" means for future movies



Blumhouse has the opportunity to turn the franchise into an anthology series that is not currently on screen.

[Thisstorycontainsspoilersfor Halloween ]

"He was waiting for this night … he was waiting for me … I was waiting for him," says Jamie Lee Curtis & # 39; Laurie Strode before she loads her Tactical Shotgun. She is prepared for the war, a war many have been thinking about. They were wrong. Michael Myers is back. David Gordon Greens Halloween A direct sequel to John Carpenter's original from 1978, The Shape (James Jude Courtney and Nick Castle) looks set to arrive in Haddonfield for a final showdown with Laurie Strode forty years after their original encounter. The film was not only sold as a return to the form of the franchise, but also as the conclusion of Laurie's story, in which her daughter Karen (Judy Greer) and her granddaughter Allyson (Andi Maathhak) are involved in the conflict. It is this sense of inference, the age of trauma bubbling to the surface, and two primitive forces mutually observing each other over generations, which makes Halloween so different from what came before.

Perhaps the most surprising thing about Halloween is not the showdown itself, but rather how final everything feels. During Halloween (1

978), the Slasher movie boom and an endless cycle of sequels began for himself and his followers, complete with cliffhangers, Green and co-authors Danny McBride and Jeff Fradley pursued a different approach , The new Halloween feels unique. Yes, it's forever connected to the original movie, but like Carpenter and Debra Hill's original, it feels like a complete story, not a sequel preparation. If the first film was about Laurie fighting and losing alone against Myers, then the second is Laurie, who fights Myers through her family's reconciliation and victory. Caught by three women whose lives he tore apart without ever uttering a word, Michael Myers is burned alive in the basement of Laurie's bunker house as she intended. The Strode women send Michael to hell, and although we do not see a corpse, the final shot of the film, in which Allyson holds a bloody knife after inheriting the survival instincts of her mother and grandmother, feels as concrete as ending the Halloween Franchise has offered

But that's not an era of franchise dying, especially no brand as popular as Halloween . Despite the perfect ending that Green has developed with this film, which respects the legacy of Carpenter's original and feels up to date in today's social climate, there will be more Halloween. Producer and horror author Jason Blum said in an interview with Forbes last month, "I'd like to do sequels, and I hope we'll do a sequel and we'll do a sequel when the movie comes out We're not going to decide if we're going to do a sequel or not until we see the reaction to this movie, but I really hope I can do it. "The reaction is in full swing and the box office numbers continue over the weekend Ascending, the decision on whether to continue, seems to be simple. Only a few weeks ago there were rumors that preparations had already begun in the next episode. Green's band not only returned Curtis as executive producer, but also John Carpenter for composing and executive producer and Nick Castle in the role of The Shape. Halloween seems like a magical convergence of creative arrangements that happens so seldom. The chances that all parties will come together again to create a continuation that is not only desirable but necessary seems small. So what happens when the 31st of October rolls again?

In the year 1982 Halloween III: Season of the Witch succeeded Michael Myers. The film, which was produced by Carpenter and Hill but written and directed by his friend Tommy Lee Wallace, introduced a new mythology that transformed Budding Slasher tropes for witchcraft, corporate evil and deadly masks] Halloween film. While the absence of Myers originally led to a negative reception, fans have turned to originality and the catchy Silver Shamrock Jingle since Season of the Witch . But Season of the Witch was not just an attempt to turn away from Michael Myers, it was part of a larger vision that saw Carpenter and Hill for the Halloween franchise Take an Anthology -Attack, with each sequel focused on another aspect of the horror the night could unleash. Not only would we get various stories of terror that were probably produced and evaluated by Carpenter, we would get them every year. Michael Myers returned in 1988 Halloween 4: Return of Michael Myers The Carpenters 'commitment to the franchise ended by the end of Green & # 39;' s return to the end of the campaign. s Film

There is no better way to further appreciate the legacy of Carpenter and Hill than to return to this anthology idea. Blumhouse has proven to be a pioneer and offers filmmakers with original ideas low budget options. Green managed to get on the plate and deliver a worthy conclusion to Michael Myers' story, and it seems counterproductive to ask other filmmakers for the same, so we will not find the franchise in the same situation as in the 1990s Simply be replaced with Jason or Freddy for the same effect. Surely there could be more films with Michael Myers entertaining us and perhaps scare us. But can there be more films with Michael Myers who have something to say? That seems much less likely. But by broadening the concept of Halloween as a film franchise to include everything we love about vacations – "Black cats and goblins and broomsticks and ghosts, witches and all their hosts" as the children sang in Carpenter's movie – we can have something much more exciting on our hands. We can get a chance to be surprised by Halloween annually. It's time to rethink our ideas of what is Halloween . It's time to finally rest Michael Myers and reshape evil.

Halloween


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