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  The Property of Hannah Grace Review

A job that does the cemetery change in a morgue? What could go wrong? For Shay Mitchell in The possession of Hannah Grace is the answer: everything. This horror pastiche tries to inject fresh blood into the tired exorcism horror subgenre, but the result is a lackluster, random, and ultimately frustrating experience.

"When you die, you die. End of the story. "That's what Megan (Mitchell) says the night she takes on her new job as an admission assistant at the morgue. She is trying to figure out how wrong this assessment is. Megan works in the night shift at the cemetery, which is a surefire recipe for horror. In addition, there is the ghost addiction and PTSD. Look, Megan used to be a cop, and one night her partner was killed in front of her eyes. Megan blamed herself for the shooting and went into an intoxication of drugs and alcohol. Now she is clean, but she still has difficulties. She left the armed forces, separated with her policeman friend (19459004, Gray Damon ) and took over the job in the morgue of the hospital where her AA sponsor ( Stana Katic ) operates. 19659006] The hospital is a large, imposing building in the brutalist style – many large, blocky, gray shapes. It does not seem like a pleasant place to work, and it gets a lot more uncomfortable. A heavily mutilated corpse is brought in – half burned, covered with scars and rolled up like a pretzel. The body is a girl named Hannah Grace ( Kirby Johnson ), and we know from a prologue that she was the recipient of a mistreated exorcism that led to her death. While Hannah Grace might be technically dead, she does not rest in peace. Very soon scary things start in the underground morgue, and it becomes clear to Megan that Hannah Grace (or whatever she owns) is to blame. [194559006] Since William Friedkin's Audience With The Exorcist in 1973, filmmakers have attempted to repeat this success with their own exorcism stories. No film came close, though there were some successful entries – The exorcism of Emily Rose is a good example. Hannah Grace is not. On the surface The possession of Hannah Grace has a successful lineup. The concept of being stuck in a morgue with a possessed corpse late at night is by nature scary.

Unfortunately, director Diederik Van Rooijen wastes the concepts in play here and pushes them into a distracted, uninspired mixed-fabric mixture. Especially disappointing is a disappointing movie with good ideas. A bad movie, which is bad through and through, is easier to shake off – you look at it, think, "Hm, that stink!", And you keep going. However, a movie like Hannah Grace eats you up. Because you can see the potential, and you can see that this potential is wasted.

It does not help that Hannah Grace feels a bit like a Frankenstein monster stitched together from other, better films. Emily Rose clearly serves as inspiration – the title even sounds the same. Then there's the last indie horror film The autopsy of Jane Doe about an autopsy on a mysterious corpse that produces disturbing results. Another important inspiration seems to be Ole Bornedal's Danish horror film Nightwatch (and his American remake) about a medical student working overnight in a morgue. All these films do different things that Hannah Grace tries, and does better.

There are some powerful moments. The make-up effects on Hannah Grace's carcass are authentically disturbing, and Kirby Johnson's mostly dumb appearance when the blinking, twitching, creeping corpse is uncanny at times – but never scary. In fact, there is no fear here. The first few times Hannah Grace flits across the floor like a spider, her bones twitch and pop, they'll have sneaked out (but on the tenth or eleventh time it happens that you roll your eyes). Mitchell is also pretty good as the tortured Megan, a character who knows how to behave herself in a dangerous situation. Lennert Hillege 's cinematography, full of dark edges, corpse gray, and impenetrable shadow also makes for a good mood.

But the devil is in the details, and these positive components are rare between. Among all this, one can feel a better, more subtle film. Megan & # 39; s addiction problems are set up and seem important at first glance – but they quickly turn off. An opening exorcism scene is dramatically staged – perhaps the most frightening exorcism ever captured in the film – it should have been completely cut. And while Hillege's visuals can have an impact, the direction of Van Rooijen is at best uninspired and, at worst, downright confusing. Late in the movie, there's a confrontational scene where a furnace for cremation is so confused and incoherent that I had absolutely no idea what the hell was going on.

Hannah Grace does not do this, too, according to his own rules – it has the impression that the film only learns things over time. In a moment, Hannah Grace can only twitch and twitch. In the next step, she can make people float in the air as if she had X-Men-like superpowers. Each room in the morgue has motion-activated lights that give the film an excuse to put certain spots in pitch black for maximum creep. Sometimes, however, the motion-activated lights are completely forgotten – and used only when the scene requires it. A better filmmaker could get away with cheats like this, but Van Rooijen is not that filmmaker.

Random audiences looking for cheap thrills and a merciful short time in the cinema (total of 85 minutes) will likely benefit from [19459006)kommen] The Ownership of Hannah Grace . But if you're hoping for a memorable horror movie worth listening to again in the future, you'll probably want to banish that demon from your memories.

/ Movie Rating: 4 out of 10

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